Design Observer is a comprehensive platform dedicated to perspectives on design and visual culture. Offering content spanning wide-ranging topics, from philosophy to architecture; and engaging mediums such as podcasts, newsletters, and essays, the platform accomplishes its mission of providing twenty years of focused insights.
Contributions come from various authors, all offering unique viewpoints. For instance, Debbie Millman from 'Design Matters' and Susan Yelavich, author of the book 'Beings: Unruly Things, Golems, Cyborgs', present multifaceted aspects of design and visual culture. They tackle areas such as humanism, journalism, entertainment, and more, painting a holistic view of the field.
Various articles prompt deep thought, providing a critical lens through which to explore specific matters. An example is the essay Critical Graphic Design: Critical of What? by Francisco Laranjo. This essay stimulates engaging debate, fostering thoughtful discourse among its readers. Alternatively, some entries are less introspective and more practically oriented, such as Architecture vs the People by Bryan Finoki, illustrating the platform's multifaceted nature.
Podcasts on Design Observer are equally diverse and informative, providing auditory experiences for readers who prefer to listen rather than read. For example, there is an audio segment Celebrating Pride by Debbie Millman, highlighting important social issues within the context of design. Another noteworthy section is that of newsletters, providing succinct updates within the sector.
The book reviews on the site are thorough and enlightening, bringing attention to both established and emerging authors within the domain of design. Books such as Design+ at Sundance, Slamdance, and the NYFF, Design is Capital: Five Lessons I Learned from Lille and others offer informative surveys of their respective subjects, making the platform a valuable resource for book enthusiasts in the field.
In sum, Design Observer plays a central role in expounding on design and visual culture. It successfully accommodates diverse perspectives and methodologies, offering readers an inclusive view of the subject. The platform's extensive approach for the past twenty years, coupled with the richness of its resources, make it an invaluable asset for those interested in exploring design and visual culture in depth. Regardless of whether one prefers essays, podcasts, or books, Design Observer ensures there is something of interest for every enthusiast.
